The lyrics are "without a nickel to my name, hopped a bus, here I came"- shows how people give up their money and risk it all to come to Hollywood. -"hell see my face and think of how he used to know me", foreshadows when Mia's face is on a billboard outside of sebs jazz club. Sound in someone in the crowd. -Non diegetic sound, the song playing According to Damien Chazelle, Emma Stone and Ryan Gosling managed five takes in two days, where after each take, they would go back to the starting point with the assistants wiping their sweat before starting the dance routine again. The fourth take is the one used in the final film. Helpful • 1.1K 11. Morgan recorded a radio announcer to establish the location as Los Angeles. The 1812 Overture plays through a car radio, and the sound becomes futzed as the camera pans to the next car in the traffic jam. With each car the camera passes the radio station changes. “This is Los Angeles and it is a mixed cultural city. The proper climax of "La La Land" happens when Mia (Emma Stone) goes in for her last-ditch audition, months after having given up on her dream of stardom and returned home to Boulder City. She Provided to YouTube by Universal Music GroupLa La Land · The GameDRILLMATIC Heart vs. Mind℗ 2022 100 Entertainment, Inc. / Numinati Inc.Released on: 2022-08- opening scene. - showing a range of different aged cars. - diegetic sounds of horns and talking becomes music (shows how they are all there to follow their dreams - same dream). - continues shots (quick editing cuts through whip pans) - classic hollywood. - focuses on one woman who starts off the song however we dont know who our protagonist is . April 1, 2017 Sunflower Cookies Just For Fun Movies Trivia La La Land Emma Stone Ryan Gosling Damien Chazelle Take this quiz to find out how much you know about Damien Chazelle's La La Land, which I absolutely adored. The quiz only revolves around the movie itself, so there will be no trivia about things behind the scenes and sorts. Also, spoiler warning - for obvious reasons. La La Land is causing a fan frenzy this award season. Not only does it feature a star-studded cast, but it is also bringing back musicals in a big way. Even if you're already familiar with the enchanting music and the romantic story, there are quite a few interesting tidbits about the film you probably didn't know. Was Ryan Gosling really playing the piano during the movie? And why is Emma Stone's dress yellow? Find out below. Upgrade to remove adsOnly $ in this set (19)who directed the film and when was it released?Damien Chazelle - wrote the film as well2016what was the budget and how much did it make in the box officeBudget - 30 millionbox office - million USDwhat awards did the film win?seven at the golden globeswho produced the film?Jordan Horowitz and Fred Bergername two key cast and charactersryan gosling - Sebasiten Emma Stone - mianame some key creative personnelDir of cinematography - Linus SandgrenEditor - Tom Cross Production design - David Wascocomposer - Justin Hurwitzgive three points on the representation of women?Perssimistic represents traditional rolesshe appears passivegive three points on the representation of men?postive and aspirational becomes the breadwinnerstubborngive one point on the overall representationsmainly represents one race and sexuality. there is little diversity. this will therefore influence the spectators two points on the aesthetics of the filmvibrant colours almost always shot in real locations rather than on sound stages or using green was Jacques Demy - umbrella's of cherbourg. and other hollywood classics like singin in the raingive two points on spectatorshipmade for a variety of audiences. he wanted to share his love of musicals with a younger audiencethe film offers a sense of nostagia for an audienceapply stuart hall's reception theorypreffered reading - chezelle's love letter to hollywoodoppisitonal - feature outdated gender representations negotiated - classic hollywood. however it fetures outdated representationsgive a point on social, cutural and political contextit has been argued that la la land was released at a time where america needed escapism. elections of trump in 2016give three points on the mise-en-scene of the end sequenceflowers and cards in the mise-en-scene of her suite suggests she has had succsess - femenisim his costume is brighter in the alternative reality which could suggest he would have been happier with Miaaesthetics of classic Jazz and there is also a red light on her face in the car scene which suggest danger, warning or lovegive two points on the sound of the end sequencemagical and happy sound in the end sequence which suggests the ideolgy that seb would have been happier with mia towards the end the music comes in the moment he smiles to tell the spectator how to feelgive two points on the cinemphotography of the end sequencePacing of the editing holds the shot on her - makes the spectator think of what she has seen or what has happened when she first walks in360 pan - dizzy - moment of bliss for the spectator when seb and mia kiss at the start of the alternative realityShot reaction shot editing on close up face shots. Eyes glassy and watery - like seb has teared up. Spectator wants closure - Choose the right moment to cutgive two points on the performance of the end sequencetowards the end of the scene which is simlar to the one of Mia and her Husband there Body language is intwined. whereas in the shot of mia and her husband they are apart and not showing any affectionThe nod could be saying that it is okay and giving her reassurance that she did the right thing. He made it okay by smilinggive 3 points on the end sequenceFinal seq Says regret, memory and acceptanceThis has been building up to this. Important that the spectator feels something. Dependent on performance, editing and music. Ghost of a music theme. What is left of there relationshipNostalgia for something that never was (ie. Mia and seb) intertwined with love and nostalgia for great films plus the highly emotive power of music. Basic narrative of ending is inspired by "The Umbrella's of Cherbourg"need to analyse opening sequence and points about ideolgy and spectatorship...Sets with similar termsDeath of a Salesman53 termsJoseph_BelosoRomeo and Juliet quiz act 1 Moses13 termsAugust0204Léamhthuiscint - Ceisteanna coitianta25 termssheerinaTEACHERShakespeare Sonnets48 termsmarisa_bishop7Sets found in the same folderWINTER'S BONE18 termsannawalker31Sightseers6 termslwest236film studies spectatorship and ideology in la la l…16 termsjezzahawleyLA LA LAND3 termsfifasifaOther sets by this creatorLife on Mars29 termsannawalker31I Dainel Blake14 termsannawalker31The Daily Mirror22 termsannawalker31I Dainel Blake3 termsannawalker31Other Quizlet setsYouth development exam 2103 termsrmcdowell8Ch 7 Building construction28 termscatagonzalezz188 Midterm Exam Study Guide72 termsLogan_StonesTema 7-Obtención de Energia ii70 termsathzlxPLUSRelated questionsQUESTIONT/F: Slow motion is achieved by speeding up the rate of filming7 answersQUESTIONDescribe the place of film music in the music industry and the place of music in the film industry (and/or film in the music industry) in the 1960s-1980s?3 answersQUESTIONWhich are examples of artistic decisions in filmmaking?5 answersQUESTIONWhen planning a shot that will use chromakey, which considerations are important?8 answers Mis à jour le 18 juin 2021. En résumé Notre époque plongée dans le chaos a besoin de se changer les idées, d’appliquer un baume d’émotions positives sur ses doutes, sur ses peurs et sur ses plaies. D’où, probablement, le triomphe planétaire qui a salué l’éblouissant retour aux sources de la comédie musicale orchestré par l’oscarisé Damien Chazelle, dont personne n’a oublié l’extraordinaire Whiplash. Ils sont beaux (Emma Stone et Ryan Gosling dégagent une séduction affolante), ils s’aiment, ils veulent réussir dans la vie, le destin leur met parfois des bâtons dans les roues? Et nous voilà embarqués dans un tourbillon de naïveté assumée, de symphonies jazzy, de chansons comme ressuscitées de l’âge d’or hollywoodien, de chorégraphies où le comble de la grâce le dispute au comble de l’énergie, le tout sur fond de décors, de couleurs et de costumes. Avis technique Premier UHD Blu-ray 100% made in France, La La Land comblera les « early adopters » à la pointe de la technique grâce au niveau insensé de sa palette chromatique, véritable déclaration d’amour au Technicolor, et à l’éclat nettement accru de sa luminosité. L’écrasante majorité des autres amateurs de Home Cinéma sera tout aussi bien servie par le rendu visuel du « simple » Blu-ray, dont la VF et la VO, toutes deux mixées en DTS:X compatible DTS HD Master Audio, offrent une dynamique et une ampleur musicales de tout premier ordre. Du côté des bonus Par sa richesse, sa pédagogie informative et sa complicité manifeste, le commentaire audio du réalisateur et du compositeur prodige Justin Hurwitz constitue une priorité absolue pour les fans du film. Quand au tournage de l’ébouriffante séquence d’ouverture et la genèse de la partition comme des chansons, ils font l’objet de deux documentaires particulièrement bien conçus. 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